ANTAKALIPA

Silence (2016): Faith at the Edge of God’s Absence What happens when belief costs everything—and God does not answer? Martin Scorsese’s Silence is not a story about martyrdom. It is a story about betrayal —and whether betrayal can coexist with faith. It is not a film about religious triumph. It is a meditation on the terror of unanswered prayer . Unlike conventional narratives of belief, Silence does not reassure. It wounds. At its center stands Father Sebastião Rodrigues, a Jesuit priest whose faith is not tested by temptation, comfort, or doubt—but by the suffering of others and the deafening quiet of God. This is a film where God does not speak. And where that silence becomes the central theological problem. I. The God Who Does Not Answer From the opening frames, Silence establishes its governing question: What if God does not intervene? The Japanese Christians are tortured not for renouncing belief privately, but for refusing to trample on the fumie —the...

Martin Scorsese No one is better than Martin Scorsese. His films are just wonderful. They are bliss. He has this ability of making you identify with the bad side of the hero. The undesirable, repulsive, murderous, greedy side of the hero. His films dive deep into human psychology, they challenge morality, they make you see the other side – they make you think, what if? You feel a Martin Scorsese film. It is in your senses. His camera shots are amazing. Remember the 360 view on “The Wolf of Wall Street”? It drove me crazy! I felt like I was in the offices of Stratton Oakmont. My mind couldn’t understand what was going on or how he had accomplished that. What was the thought process? That 360 view was an attempt to make the viewer experience the madness first hand, to get lost in the chaos. On “Goodfellas” he uses a continuous shot that illustrates the hero’s powers to seduce. Henry takes his girlfriend Karen on a date at this underground spot and the camera follows from behi...