An Ode to Motown
An Ode to Motown There is something quietly thrilling about seeing performers outside the frame that first introduced them to you. It disrupts familiarity. It redraws the boundaries of expectation. Sitting inside the theatre for the final dress rehearsal of An Ode to Motown , that disruption came early — and it came powerfully. Lerato Mvelase was the first revelation. Known to many through the language of television — where her craft is contained within the borders of a camera lens — she arrived on stage as something altogether different. A vocalist. A narrator. A commanding presence. Her performance didn’t merely interpret the material; it carried it. She threaded the history of Motown through her voice with conviction and personality, revealing vocal depth and range that transformed surprise into admiration. On stage she expanded — larger, freer, and more electric — embodying the kind of theatrical vitality that only live performance can hold. ...
