Martin Scorsese

Martin Scorsese

No one is better than Martin Scorsese. His films are just wonderful. They are bliss. He has this ability of making you identify with the bad side of the hero. The undesirable, repulsive, murderous, greedy side of the hero. His films dive deep into human psychology, they challenge morality, they make you see the other side – they make you think, what if? You feel a Martin Scorsese film. It is in your senses. His camera shots are amazing. Remember the 360 view on “The Wolf of Wall Street”? It drove me crazy! I felt like I was in the offices of Stratton Oakmont. My mind couldn’t understand what was going on or how he had accomplished that. What was the thought process? That 360 view was an attempt to make the viewer experience the madness first hand, to get lost in the chaos. On “Goodfellas” he uses a continuous shot that illustrates the hero’s powers to seduce. Henry takes his girlfriend Karen on a date at this underground spot and the camera follows from behind. To get to this restaurant they navigate through a lot of chaos and make a lot of turns – turns that make Karen dizzy. Henry pays someone $20 just to open the door to Karen’s amazement and when they finally get in, a waiter organizes a table just for them. The place is a full house, filled to the brim with esteemed people. It makes Karen feel so important and she is induced with this euphoria that takes her to heaven. That scene is the ultimate definition of seduction. Martin Scorsese uses a lot of camera techniques in his movies to make them legendary. He uses a lot of freeze frame shots to illustrate the importance of a scene and slow motion to freeze time. He has that ability – to freeze time, imagine that! What about his insecure masculine heroes who always chase these beautiful, ungraspable blondes? The blondes have become a theme in his movies that the hero always projects on. We see the use of slow motion to communicate how time slows down when these heroes meet or see these blondes. These blondes are mystical and perfect. On the “Wolf of Wall Street” one of Jordon’s friends states “I’d let her give me AIDS” upon seeing the blonde who would go on to being Jordon’s wife for the first time. On “Casino”, Ace’s world slows down when he sees Ginger – the blonde he would later marry. The heroes have self-destructive tendencies that ruin the lives of these beautiful blondes and they always leave the hero alone and dejected. The heroes have jealous streaks, they are control freaks, they are violent and they are driven by their impulses. Martin Scorsese forces us to see the bad and evil in ourselves. The violence in his movies is so explicit, so real, and so horrendous. On “Casino” we see a man senselessly beaten with baseball bats before he is stripped off his clothes and buried alive. In his movies, he makes you feel like “the man” through the hero and then strips you off all that power, leaving you with nothing. On the “The Wolf of Wall Street” he perpetuates all the greed, the drug use and random sex of the hero before taking it away. Jordon Belfort, loses everything – the money, his estate and his hot blonde wife. He also goes to jail and is banned from his profession, Investing. On “Goodfellas” Henry loses the lifestyle, respect and acclaim that comes with being a gangster. He also gets arrested and lives out the rest of his life at a Police Protection detention system. “Cape Fear” is about a guy who has moral justifications for ruining the life of the lawyer who didn’t fight for him in court when he was trailed for rape. Max Cady, the convicted rapist goes on a psychopathic rampage – he targets, stalks, kidnaps and torments the lawyer’s family. It is Robert De Niro at his most frightening and sadistic, he is sick but you understand him. Your understanding comes from the experience of also being wronged. Just like how you understand Jordon Belfort’s greed. If you were granted everything you have ever wanted, wouldn’t you go a little overboard? Martin Scorsese explores the human condition. He challenges the viewer to really think. There are also these rich and authentic dialogues that his characters always engage in. The dialogues are so entertaining. The dialogues are always in “real time”, it doesn’t feel like they are exchanging cues – they feel natural and flow. And what would a Martin Scorsese movie be without the narrator, the voice over that propels the story to greater heights. I love it – the narrator is the hero and he always speaks in the first person, so you can understand his mind and thought patterns; so you can hear the heroes insecurities and dreams. It is so powerful. It links you to the hero whether you like it or not, it is done at a subconscious level. Now to hate the hero means to hate yourself and the ego won’t allow that. So you watch the movie with complete objectivity. Martin Scorsese bewitches your mind first and then strings it along. The soundtracks on a Martin Scorsese movie are just awesome. Those rock n roll songs, they are iconic and signal a change in the plot or a characters plan of action. I see a lot of technique in Martin Scorsese’s movies. I see his passion through his movies. I see the mathematic equations, he just takes me straight to movie heaven. I love that guy. I love his creativity. I love the subjects in his movies. I love his impartiality. I love how he explores human nature and flips the script of the hero. The best flip of the script of the hero can be seen on “Silence” where the hero is reduced to suffering until death. He is forced to abandon his belief system and values and he is indoctrinated into foreign systems. I appreciate Martin Scorsese’s’ vision. In my humble opinion he is the greatest film-maker of all time.