ANTAKALIPA

The Tramp On the square to watch The Tramp. Amanda Bothma, Daniel Anderson and Paul Ferreira - devastating triple threat! Stick to the secret formula, let's get the people on their feet cheering and clapping.  Amanda Botha on the script, good feelings, reverse engineering, biographical, sharp witted, with personality, contemplation and reflection. Paul Ferreira on piano, spotless without a blemish, backbone, the pulse silently beating to provide life and sustenance. The first time I ever saw Daniel Anderson perform, I thought "goat" and I managed to shake his hand and tell him to his face. The goat has struck again, back to back, within weeks to casually deliver another masterpiece. I maintain my stance, the greatest performer of all time, it's amazing what he does on the stage, simply unbelievable. He has energy, expressive, animation and enjoyment on his face, he is mobile and on his feet, running, climbing on top of props, dancing, singing and telling a...

A Star is Born Reverse engineering, what's the last thing you see after a Amanda Bothma show? Standing ovation, people on their feet, clapping their hands enthusiastically. A lukewarm response is unfathomable. Using a Star Wars anology, the force forces you to stand elevated. It's an appreciation thing for what you have just witnessed on the stage. Her shows are a prime example of finesse. It's the writing, it's witty, biographical and humanizes the subjects to make them relatable, the writing has a lot feeling and emotion. The experience coops in your mind like a cacoon and you leave the show feeling like a butterfly. Almost witchcraft, it keeps you in a trance where you are at her mercy but then she strings you along a roller coaster ride and the end result is just satisfying. The music usually the best in the world. You can't help but to get on your feet and start applauding - the force has you! You gotta love opening night, the sold out audience, the...

On the square III: Post Script Theatre is female. Daphne opened the door, Regina called me in, Sharon took me with her and Sam showed me everything. These are all my girls, I love them with impunity, they loved me and I love them forever. After I took the "Dress Code" script, I experienced some turbulence. Me and Regina were at loggerheads and she didn't want me at the theatre anymore. I had defied, disrespected her and my time working as stage manager was done! I was tired of being bossed around, she was tyrannical and condescending. She never missed the opportunity to remind me that I owed her for the job. It was unfair and inaccurate, I landed the job myself. I talked to Daphne, I was at the theatre every week watching shows, the theatre needed help with operations and they approached me to help and I accepted. Regina switched everything around, it was I who needed the job, I was lucky to be there and she was the one who hired me not Daphne. I went with wha...

On the square  I fell in love with her when I heard her sing "Back to Black", I got goosebumps and I started to shiver. I felt Amy's spirit, she lived through Sharon, her execution was flawless, I had never witnessed talent like that. She was amazing, she felt familiar, my dopamine levels spiked to new levels, I loved watching her on the stage. She made me happy because now when I went to the theatre I'd hear Amy. Everything just felt like devine intervention, like a higher power was in control, like the Universe was conspiring in my favor, like I finally made it! It was my first week on the job on the square as the stage manager, Daphne Kuhn on the credits. For me it was a dream job because I'd get to interact with fellow content creators. Theatre on the square is known for hosting the best talent in the country, if not the world and for me the opportunity to be a spectator of greatness is heaven. I had seen "Nothing but the truth", written ...