A dolls house pt. 2

A dolls house Pt. 2

On the square for the opening of a dolls house pt. 2. Full house, the place is buzzing and excitement is in the air. Nothing is better than a filled up theatre on the square, the energy is contagious. It's close knit, intimate and warm. The laughs rebound and echo in the auditorium, you can hear every sound, every gasp, every comment from the audience and the view is in your face, up close and personal, no matter which seat you take. Every seat is a great seat, even the seats close to the pillars. 

The show is a great one, it captivated the audience throughout. It's humorous and explores subjects on self-identity, marriage, traditional gender roles, love and freedom. Nora Helmer comes back after 15 years to the family she abandoned in search of herself. Not much has changed except that the children have grown. The helper (Anne Marie) stepped up in her absence and raised them, neglecting her own life and children in the process. It's not like she had a choice, she's not from money, she had to do whatever she could to survive. Nora became a successful author in that period, writing books that serves mainly the female demographic. She questions the institution of marriage and monogamy. Is it worth it? Does it make sense? Why is one partner enough for a lifetime? Surely, I am not the person you married because I've changed, you have changed. I am reduced to a role and expectations and I am not myself anymore. I don't even know who I am anymore, I am subsumed by your domineering character. When relationships start out, it's all fresh, it's new, it's exciting, we go out of our way to woe the other person, we role play, we do things that we will never do again to gain access into that person's life and once we do, we relax, we become complacent, we stop trying so hard, the relationship stales up and we lose ourselves. 

It is this type of writing that gets Nora in trouble with the law. It is this type of writing that empowers her female readers to leave their families. She also finds out that she is still married with her husband, she initially thought she was divorced but her husband didn't post the paperwork. She wants a divorce but her husband Torvald won't give it to her. She involves her daughter, hoping that she can convince her father. Eventually he relents and gives it to her but she doesn't want it anymore. 

This is a awesome play, it had the audience laughing out loud, there were also ironic stares from the cast to the audience, breaking the fourth wall, at times it was as if they were talking to us directly. Some uncomfortable laughs from the audience because of the realism of the content. There was range and different states in the performances. The performers had chemistry and overall flow - they were outstanding! The costumes were retro, they gave a 1800 - 1900 vibe. The story is perfectly paced and the scenes clear. The set, writing and lighting - all great! 

Bianca Amato plays Nora

Zane Meas is Torvald 

Charlotte Butler is Anne Marie 

Simone Neethling is Emmy 

Congratulations Barbara Rubin and the whole team for a great show and a deserved standing ovation! 

https://youtu.be/jY6pq6_M4_w?si=h3tBIGd1MRJ3T7c6